- Think about how to translate irregular shapes and composition from sketchbook to embroidery.
- Badly dye thread to tell story possibly?
- Use rhythm and freedom to create structure from unstructured.
I want to use my sketchbook research within my work more as I don't feel at the moment I am using it enough to influence my samples. I want to prepare surfaces before printing to make a repetition in the surface and more irregularities. By enlarging sections of my work already I am able to visualise the areas I like the most but now I need to translate these areas within my work better.
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