During my time in Australia, I
attended a few lectures about Aboriginal Artwork. I became fascinated with the
process and symbolism behind it. I love how the traditional works are not
interpreted in the same way as we interpret Western art. Traditional Aboriginal
works are seen as maps, dreams or memories into journeys, undertaken by previous
generations. They are often symbolic of celebrations and the surrounding land.
Across the culture, the symbols can vary but each tribe has their own identity
within paintings which cannot be unlocked without the code.
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Johnny Imaroo Tjapanangka Wallaby Dreaming 1989 Acrylic on Canvas |
This painting tells the story of
a Wallaby. He was chased by tribesmen, as he moved between waterholes. The
circles represent a stop in a journey whilst the lines connecting represent the
journey.
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Lena Nyadbi Lilmim and Jimbala (Scales and Spearheads) 2002 Ochre on Linen |
This tells the story of
discovering and hunting fish. The linear shapes in this composition symbolise spearheads
whilst the N shapes symbolise scales of barramundi fish.
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Ningura Napurrula Untitled 2005 Acrylic on Canvas |
This piece comes from a rock hole
site east of the Kiwirrkura community in Western Australia. In mythological
times, a group of ancestral women camped at this location associated with birth.
The lines adjacent to the dark circles symbolise pregnancy whilst the lines
around the edge of the painting represent sand hills and a creek.
This concept of coding is
something that I am hugely interested in exploring further. I want to analyse
the Aboriginal code, and appropriate this into my own work. I then want to take it further by
developing my own code, so that I can document my own experiences and create a
visual map of my memories. I want to research more into coding, symbolism and
systems within art in order to create a narrative that will run universally
across my drawings and embroidery samples.
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